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Citizen: An American Lyric is a 2014 book-length poem [1] and a series of lyric essays by American poet Claudia Rankine. Citizen stretches the conventions of traditional lyric poetry by interweaving several forms of text and media into a collective portrait of racial relations in the United States. [2]
David Mura (born 1952) is an American author, poet, novelist, playwright, critic and performance artist [1] whose writings explore the themes of race, identity and history. In 2018, Mura has published a book on creative writing, A Stranger’s Journey: Race, Identity & Narrative Craft in Writing, in which he argues for a more inclusive and expansive definition of craft.
Within the poem, finite meanings are momentary freeze-frame instances, crystallizing thoughts only to release them from their sequestered state. Throughout his poetry, Roberson employs history and race as grounding points to incite moments of distraction, reflection, and potential epiphany through memory.
This poem, along with other works by Hughes, helped define the Harlem Renaissance, a period in the early 1920s and '30s of newfound cultural identity for blacks in America who had discovered the power of literature, art, music, and poetry as a means of personal and collective expression in the scope of civil rights.
What Work Is is a collection of poetry by Philip Levine that explores subjects characteristic of his work, including physical labor, class identity, family relationships, and personal loss. Much of the book is shaped by concerns for blue collar workers as well as national political events.
In I am Joaquin, Joaquin (the narrative voice of the poem) speaks of the struggles that the Chicano people have faced in trying to achieve economic justice and equal rights in the U.S., as well as to find an identity of being part of a hybrid mestizo society. He promises that his culture will survive if all Chicano people stand proud and demand ...
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Slam poets work is an embodiment of their identity and it breaks the homogeneity of traditional poetry structure. But, a poet is not bound to a certain identity based on their culture, sexuality, or race, although many do use identity. Slam poetry's main goals is to express authenticity of identity to its audience.