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Patulous Eustachian tube is a physical disorder. The exact causes may vary depending on the person and are often unknown. [5] Weight loss is a commonly cited cause of the disorder due to the nature of the Eustachian tube itself and is associated with approximately one-third of reported cases. [6]
You may hear a squeak or popping sound as the air pressure equalizes. Fluid in the Ear . The most common cause of fluid in the ear is an infection, but it can also be caused by other medical ...
Listener fatigue (also known as listening fatigue or ear fatigue) is a phenomenon that occurs after prolonged exposure to an auditory stimulus.Symptoms include tiredness, discomfort, pain, and loss of sensitivity.
If one ear has normal thresholds while the other has sensorineural hearing loss (SNHL), diplacusis may be present, as much as 15–20% (for example 200 Hz one ear => 240 Hz in the other). [citation needed] The pitch may be difficult to match because the SNHL ear hears the sound "fuzzy". Bilateral SNHL gives less diplacusis, but pitch ...
Diver clearing ears Section of the human ear, the Eustachian tube is shown in colour. Ear clearing, clearing the ears or equalization is any of various maneuvers to equalize the pressure in the middle ear with the outside pressure, by letting air enter along the Eustachian tubes, as this does not always happen automatically when the pressure in the middle ear is lower than the outside pressure.
Hyperacusis is an increased sensitivity to sound and a low tolerance for environmental noise. Definitions of hyperacusis can vary significantly; it often revolves around damage to or dysfunction of the stapes bone, stapedius muscle or tensor tympani ().
tinnitus, ringing, buzzing, hissing or other sounds in the ear when no external sound is present; vertigo and disequilibrium; tympanophonia, also known as autophonia, abnormal hearing of one's own voice and respiratory sounds, usually as a result of a patulous (a constantly open) eustachian tube or dehiscent superior semicircular canals
Often audio engineers and sound editors use DAWs to manually remove "pops and ticks" from recordings, and the latest spectrographic 'retouching' techniques allow for the suppression or removal of discrete unwanted sounds. DAWs are capable of removing the smallest of anomalies, often without leaving artifacts and other evidence of their removal.