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"Kashmir" is a song by the English rock band Led Zeppelin. Featured on their sixth studio album Physical Graffiti (1975), it was written by Jimmy Page and Robert Plant with contributions from John Bonham over a period of three years with lyrics dating to 1973.
As described by Cameron Crowe, "[Led] Zeppelin live was a direct descendant from Elvis' early shows. Raw, direct, a reminder of when rock was young." [12] With such shared enthusiasm for playing a diverse range of musical styles coupled with their emphasis on extended improvisation, Led Zeppelin's concerts frequently extended for several hours.
Plays the Music of Led Zeppelin: 1995 [2] Jaz Coleman and the London Philharmonic Orchestra: Kashmir: Symphonic Led Zeppelin: 1997 [3] Heart: Alive in Seattle: 2003 [10] Arjen Anthony Lucassen: Lost in the New Real: 2012 SHEL: SHEL: 2012 [11] "Black Dog" CCS: C.C.S. 2: 1972 Dread Zeppelin: Un-Led-Ed: 1990 Eläkeläiset: Humppakäräjät 1994 ...
Led Zeppelin's Spring 1970 North American Tour was the fifth concert tour of North America by the English rock band. The tour commenced on 21 March and concluded on 18 April 1970. It took place a little over a week after the conclusion of their recent European concert tour.
Clockwise, from top left: Jimmy Page, John Bonham, Robert Plant, John Paul Jones Led Zeppelin were an English rock band who recorded 94 songs between 1968 and 1980. The band pioneered the concept of album-oriented rock and often refused to release popular songs as singles, [1] instead viewing their albums as indivisible, complete listening experiences, and disliked record labels re-editing ...
This was the first tour in which Led Zeppelin used songs from their upcoming album Houses of the Holy ("Over the Hills and Far Away", "Dancing Days", and "The Ocean"). This was also the last concert tour on which Led Zeppelin included an acoustic section until it was revived in 1975 for their Earls Court performances. John Bonham sang co-lead ...
By that time [Led Zeppelin] were a huge attraction and I knew Peter (Grant) [Led Zeppelin's manager] wanted to present them in the biggest and best setting that particular year. I was the first concert promoter to use Earl's Court a couple of years before with David Bowie and Slade. So when Peter was considering venues to use he got in touch.
Led Zeppelin's manager Peter Grant conceived this series of concerts as an effort that would reassert Led Zeppelin as the dominant band of the decade. [2] Fifty-one concerts were scheduled over a three-leg period, for 1.3 million ticket holders. It was Led Zeppelin's biggest ever tour, and tickets sold at a rate of 72,000 a day. [3]