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The use of paper imperfections was suggested by fast techniques in painting.Cage recounts that using the I Ching was always a very slow process. In 1952 a dancer (probably Jo Anne Melcher, the dedicatee of Music for Piano 1) made a request for a piece of music which was needed urgently, and Cage had to find a way to speed up the process:
12 Variations in Eâ™ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen, was a set of variations for solo piano.
Bob Baldwin; David Benoit; Alex Bugnon; Brian Culbertson; Eumir Deodato; Terry Disley; George Duke; Ronnie Foster; Jonathan Fritzén; Chris Geith; Tom Grant; Dave Grusin
Op. 54 16 Children's songs (1883; the 5th song Legend was the basis of Anton Arensky's Variations on a Theme by Tchaikovsky, Op. 35a) Op. 55 Orchestral Suite No. 3 in G (1884) Op. 56 Concert Fantasia in G, for piano and orchestra (1884) Op. 57 6 Songs (1884) Op. 58 Manfred Symphony in B minor (1885) Op. 59 Dumka in C minor, for piano (1886) Op ...
ORGAN 2 /ASLSP (As Slow as Possible) is a musical piece by John Cage and the subject of the second-longest-lasting (after Longplayer) musical performance yet undertaken. [1] Cage wrote it in 1987 for organ, as an adaptation of his 1985 composition ASLSP for piano. A performance of the piano version usually lasts 20 to 70 minutes. [2]
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