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Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
The Last Judgment c. 1495–1505 Oil on wood 99.5 × 117.5 cm Groeningemuseum, Bruges, Belgium Attributed to Bosch and/or his workshop. The outer panels form a single image, Christ Crowned with Thorns. Outside panels of "The Last Judgment" c. 1495–1505 Oil on wood 99.5 × 117.5 cm Groeningemuseum, Bruges, Belgium
The Last Judgment is a triptych by the Early Netherlandish artist Hieronymus Bosch, created after 1482. The triptych is now in the Academy of Fine Arts in Vienna, Austria. The outside of the shutters panel are painted in grisaille on panel, while the inside shutters and the center panel are painted in oil. The left and right panels measure 167. ...
Michelangelo, nonetheless, is one of the artists who gave rise to the notion of “late style”: the idea that the artist’s vision gets truer and more personal the older they get.
Last Judgement (Venusti) The Last Judgement Triptych (Klontzas) The Last Judgement (Vasari and Zuccari) The Last Judgment (Bosch, Bruges) The Last Judgment (Bosch, Vienna) The Last Judgment (Fra Angelico, Florence) The Last Judgment (Bosch, Munich) The Last Judgment (Moskos) The Last Judgment (Kavertzas) The Last Judgment (Klontzas) The Last ...
Michelangelo di Lodovico Buonarroti Simoni (Italian: [mikeˈlandʒelo di lodoˈviːko ˌbwɔnarˈrɔːti siˈmoːni]; 6 March 1475 – 18 February 1564), known mononymously as Michelangelo (English: / ˌ m aɪ k əl ˈ æ n dʒ ə l oʊ, ˌ m ɪ k-/ MY-kəl-AN-jə-loh, MIK-əl-), [1] was an Italian sculptor, painter, architect, [2] and poet of the High Renaissance.
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The Last Judgment is a triptych created by a follower of Hieronymus Bosch. Unlike the other two triptychs with the same name, in Vienna and in Bruges, only a fragment of this one exists today. It resides at the Alte Pinakothek in Munich. [1] After being damaged, this fragment was heavily repainted, then the paint was removed in 1936.