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The opening bars and main theme of No. 1. The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous ...
Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
early editions, Frédéric Chopin: All of the first impressions of Chopin's first editions. Centre for Computing in the Humanities: Chopin Online Catalog: early editions, Frédéric Chopin: 85 Scores of early printed editions of Chopin's music works published before 1881, of which 74 are works with opus number and 11 are without.
Also, Chopin wrote numerous song settings of Polish texts, and chamber pieces including a piano trio and a cello sonata. This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown ( B ), Krystyna Kobylańska ( KK ), Józef Michał Chomiński ( A , C , D , E ...
Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.
Also, Chopin further developed the structure of the nocturne, taking inspiration from the Italian and French opera arias, as well as the sonata form. Composer Franz Liszt even insisted that Chopin's nocturnes were influenced by Vincenzo Bellini 's bel canto arias, [ 11 ] a statement affirmed and echoed by many in the music world.
The penmanship also matches that of Chopin, including its small size and the unusual bass clef, [1] although his friend Julian Fontana drew this clef similarly, leading to some past confusion between their manuscripts. [3] This extends to the "Valse" written at the top, although the name "Chopin" is in another hand. [1]
Piano Sonata No. 30 in E major, Op. 109 61 Ravel Gaspard de la nuit: 60 Chopin Piano Sonata No. 2 in B-flat minor, Op. 35 59 Chopin Nocturne No. 8 in D-flat major, Op. 27 No. 2 58 Bach, JS Chaconne in D minor from Partita No. 2 for Solo Violin, BWV 1004 (as arranged by Busoni) 57 Satie Gnossienne, No.1 56 Chopin Berceuse in D-flat major, Opus 57 55
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