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The song was the first to use the "gated reverb" drum sound created by Hugh Padgham and Phil Collins, with Collins performing the song's drum part. [4] The gated drum effect was later used in Collins' own " In the Air Tonight ", and appeared frequently through the 1980s, on records such as David Bowie's " Let's Dance " and the Power Station 's ...
Gated reverb on a snare drum, produced by a plugin. Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate that cuts the tail of the reverb. The effect is typically applied to recordings of drums (or live sound reinforcement of drums in a PA system ) to make the hits sound powerful and ...
Holden described "Only You Know and I Know" as an "angry love song" that had some sampling of Motown-style music mixed in. [15] "In 'One More Night', Mr. Collins's recent number-one hit, a ticking snare drum injects a whisper of lurking fear into a song that suggests a sweeter, tenderer reprise of 'Against All Odds'", says Holden. [15]
English musician Phil Collins has released 8 studio albums, 1 live album, 5 compilation albums, 2 remix albums, 3 soundtrack albums, 2 box sets, 50 singles, 18 video albums, and 41 music videos. A Grammy and Academy Award -winning solo artist, Collins has sold more than 34.5 million albums in the United States, and 150 million records worldwide.
Philip David Charles Collins was born on 30 January 1951 at Putney Hospital in Wandsworth, south-west London. [17] [18] His father, Greville Philip Austin Collins (1907–1972), was an insurance agent for London Assurance; his mother, Winifred June Collins (née Strange, 1913–2011), worked in a toy shop, and later as a booking agent at the Barbara Speake Stage School – an independent ...
Bill Bruford — Drums, snare; Phil Collins — Drums, vibraphone, percussions; Cozy Powell — Drums, cymbal; Jon Hiseman — Snare drum; Erika Michaelenko — Chimes, choir; Julie Tippett — Vocal; Bernie Frost — Vocal, choir; Bob Sargeant — Choir; The English Chorale — Choir; Viv Stanshall — Narrator
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The effect was also employed by Genesis (on Phil Collins’ snare drum) at the end of the song “Deep in the Motherload” on the 1978 album “And Then There Were Three”. [ citation needed ] Use in other media
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