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West African rhythmic techniques carried over the Atlantic were fundamental ingredients in various musical styles of the Americas: samba, forró, maracatu and coco in Brazil, Afro-Cuban music and Afro-American musical genres such as blues, jazz, rhythm & blues, funk, soul, reggae, hip hop, and rock and roll were thereby of immense importance in ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Ethiopian jazz, also referred to as Ethio-jazz, is a blend of traditional Ethiopian music with jazz, combining the pentatonic scale-based melodies of Amharic music with the 12-tone scale and instrumentation of western music. Over time the genre has grown to include elements from other genres such as afrofunk, soul, Armenian jazz, and Latin ...
Latin jazz is jazz that employs Latin American rhythms and is generally understood to have a more specific meaning than simply jazz from Latin America. A more precise term might be Afro-Latin jazz , as the jazz subgenre typically employs rhythms that either have a direct analog in Africa or exhibit an African rhythmic influence beyond what is ...
The rhythmic basis for one of the most enduring Latin jazz tunes comes from a cáscara variant adopted as a mambo bell pattern. "Manteca," co-written by Dizzy Gillespie and Chano Pozo in 1947, is the first jazz standards to be rhythmically based on clave. [57] The rhythm of the melody in the A section is identical to a common mambo bell pattern.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage.
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To share rhythm is to form a group consciousness, to entrain with one another, [7] to be part of the collective rhythm of life to which all are invited to contribute. [8] African ethnic groups. Yoruba dancers and drummers, for instance, express communal desires, values, and collective creativity. The drumming represents an underlying linguistic ...