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Blue Like Jazz is the second book by Donald Miller.This semi-autobiographical work, subtitled "Non-Religious Thoughts on Christian Spirituality," is a collection of essays and personal reflections chronicling the author's growing understanding of the nature of God and Jesus, and the need and responsibility for an authentic personal response to that understanding.
Blue Like Jazz is a 2012 American comedy-drama film directed by Steve Taylor and starring Marshall Allman, Claire Holt, and Tania Raymonde. It is based on Donald Miller's semi-autobiographical book of the same name. Miller, Taylor, and Ben Pearson co-wrote the screenplay. [1]
The Complete Columbia Recordings of Miles Davis with John Coltrane is a box set featuring jazz musicians Miles Davis and John Coltrane.It is the first box set in a series of eight from Columbia/Legacy compiling Davis's work for Columbia Records, and includes never-before-released alternate takes, omissions of other musicians, musician comments, false starts and a first version of compositions ...
His mother, Hattie Mae, is a talented blues singer and his father, Buster, a skilled guitarist. Bayou's older brother, and his father's favorite son, Willie Earl is a natural jazz trumpeter, while Bayou, although a gifted singer, is discouraged from displaying his talent by his abusive father who constantly picks on him and calls him weak and slow.
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis.It was released on August 17, 1959 through Columbia Records.For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track—"Freddie ...
Allmusic reviewer Thom Jurek stated "Trumpeter, composer, arranger, and bandleader Malachi Thompson has outdone himself with Blue Jazz...Thompson and his notion of reinventing the manner in which a brass-driven big band explores the relationships between harmony and rhythm, and the more tenacious linguistic commonalities between bebop and free jazz have never been as articulately or gracefully ...
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Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963. [1] In Blues People Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music.
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