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"The Big Money" is a song by Canadian rock band Rush, originally released on their 1985 album Power Windows. It peaked at #45 on the Billboard Hot 100 [ 2 ] and #4 on the Mainstream Rock chart , and has been included on several compilation albums, such as Retrospective II and The Spirit of Radio: Greatest Hits 1974-1987 .
Buffalo Springfield cover song [124] from early Rush band reproduced for the album. [28] "Seven and Seven Is" Feedback: 2004 Love cover song. [125] "Shapes of Things" Feedback: 2004 The Yardbirds cover song [126] from early Rush band reproduced for the album. [28] "Crossroads" Feedback: 2004 Robert Johnson cover song [127] from Neil Peart's ...
The album also debuted at No. 1 on the Billboard's Top Rock Albums chart, and, when the album was released on the MVI format a month later, peaked at No. 1 on the Top Internet Albums chart. [ 246 ] The tours in support of Snakes & Arrows in 2007 and 2008 accrued $21 million and $18.3 million respectively, earning Rush the No. 6 and 8 spots ...
Power Windows is the eleventh studio album by Canadian rock band Rush, released on October 11, 1985 in Canada by Anthem Records [3] and on October 21, 1985 in the United States. [4] After touring in support of their previous album, Grace Under Pressure (1984), the band took a break and reconvened in early 1985 to begin work on a follow-up.
The band released its eponymous debut album in March 1974. Since then, they have achieved 24 gold records and 14 platinum (3 multi-platinum) records. According to the RIAA, Rush's sales statistics also place them third behind the Beatles and the Rolling Stones for the most consecutive gold or platinum albums by a rock band. [1]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
The "sci-fi" sounds in the beginning of the song were created using an ARP Odyssey synthesizer [7] and an Echoplex tape delay. [8] On the "2112 / Moving Pictures" episode of the documentary series Classic Albums, producer Terry Brown states the synth intro is composed of various parts played by Hugh Syme that were put together in a collage.
Originally recorded on 7-String Guitars tuned down, the band switched to 8-String Guitars shortly after the album was released. The band play the song live a full step up from the original in F Standard Tuning on 8-String Guitars. D tuning – D'-G'-C-F-A ♯-d-g / D'-G'-C-F-B ♭-d-g Four and one half steps down from standard.