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This work is in the public domain in the Philippines and possibly other jurisdictions because it is a work created by an officer or employee of the Government of the Philippines or any of its subdivisions and instrumentalities, including government-owned and/or controlled corporations, as part of their regularly prescribed official duties ...
The original title of this new march was "Marcha Filipina-Magdalo" (Philippine-Magdalo March), and was later changed to "Marcha Nacional Filipina" (Philippine National March) upon its adoption as the national anthem of the First Philippine Republic on June 11, 1898, a day before independence was to be proclaimed. [6]
This work is in the public domain in the Philippines and possibly other jurisdictions because it is a work created by an officer or employee of the Government of the Philippines or any of its subdivisions and instrumentalities, including government-owned and/or controlled corporations, as part of their regularly prescribed official duties ...
It was commissioned during the Japanese occupation of the Philippines and intended to supplant Lupang Hinirang (then sung to its English translation as the Philippine Hymn) as the national anthem. It was also sung by the members of the Hukbo ng Bayan Laban sa Hapon , however, the words bear sentiments against the Japanese occupiers and the ...
In 1903, Nakpil extended the anthem as an instrumental tribute to Jose Rizal under the title “Salve, Patria” ("Hail, Fatherland"). The only surviving copies of the original score were destroyed in 1945, during the Battle of Manila. The version which survives today was reconstructed by Nakpil from memory as a piece for piano years later. [1 ...
Julián Reyes Felipe (Tagalog: [hulˈjan pɛˈlipɛ]; Spanish: [xuˈljaɱ feˈlipe]: January 28, 1861 – October 2, 1944) was a Filipino composer of the music of the Philippine national anthem, formerly known as "Marcha Nacional Filipina", now known as "Lupang Hinirang". [2]
This work is in the public domain in the Philippines and possibly other jurisdictions because it is a work created by an officer or employee of the Government of the Philippines or any of its subdivisions and instrumentalities, including government-owned and/or controlled corporations, as part of their regularly prescribed official duties ...
He went aboard a ship, the SS Gordon, in 1948 to return to the Philippines. While on a stopover in the Hawaiian city of Honolulu, he met Levi Celerio, who became San Pedro's lyricist for his composition and wrote the words of "Ugoy ng Duyan" during the rest of their trip. [1] The song was completed by the time they landed in Manila. [4]