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The analysis of individual experience and behavior based on experimental methods is a central part of experimental aesthetics. In particular, the perception of works of art, [7] music, or modern items such as websites [8] or other IT products [9] is studied. Data can be examined and analyzed at three levels: Physiological level
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1] Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the ...
The International Association of Empirical Aesthetics (IAEA) is an organization of researchers who use scientific methods to investigate aesthetic experience and aesthetic behavior in a wide variety of domains, including encounters with beauty, visual art, music, literature, film, theater, philosophy, and museum behavior.
First lecture in Experimental Philosophy, London 1748. Though, in early modern philosophy, natural philosophy was sometimes referred to as "experimental philosophy", [16] the field associated with the current sense of the term dates its origins around 2000 when a small number of students experimented with the idea of fusing philosophy to the experimental rigor of psychology.
Theories of aesthetic response [1] or functional theories of art [2] are in many ways the most intuitive theories of art. At its base, the term "aesthetic" refers to a type of phenomenal experience, and aesthetic definitions identify artworks with artifacts intended to produce aesthetic experiences. Nature can be beautiful and it can produce ...
Prinz works primarily in the philosophy of psychology and ethics and has authored several books and over 100 articles, addressing such topics as emotion, moral psychology, aesthetics and consciousness. [1]
Edward Bullough (28 March 1880 – 17 September 1934) was an English aesthetician and scholar of modern languages, who worked at the University of Cambridge.He did experimental work on the perception of colours, and in his theoretical work introduced the concept of psychical distance: that which "appears to lie between our own self and its affections" in aesthetic experience.
Internet Encyclopedia of Philosophy. Ducasse, C. J. (Autumn 1964). "Art and the Language of the Emotions". The Journal of Aesthetics and Art Criticism. 23 (1): 109– 112. doi:10.2307/428143. JSTOR 428143. Silver, Rawley (12 January 2001). Art as Language: Access to Emotions and Cognitive Skills through Drawings. Psychology Press. ISBN 978-1 ...