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The Michael Schenker Group: Released: August 1980; Label: Chrysalis — 59 — — — 8 100 MSG: Released: September 1981; Label: Chrysalis — 11 31 — — 14 81 Assault Attack: Released: October 1982; Label: Chrysalis — 9 — 34 — 19 151 Built to Destroy: Released: September 1983; Label: Chrysalis — 6 — 32 — 23 — Written in the Sand
Michael Schenker (born 10 January 1955) [2] is a German guitarist. He played in the rock band UFO and leads the Michael Schenker Group (MSG). He was an early member of the hard rock band Scorpions, a band co-founded by his elder brother Rudolf Schenker.
The Michael Schenker Group (often abbreviated as MSG) is an English hard rock band, formed in London in 1979 by former Scorpions and UFO guitarist Michael Schenker. [1] After the release of their second live album, 1984's Rock Will Never Die, its members began to have serious discussions that caused a two-year hiatus, and Michael ended the band in 1986.
The Michael Schenker Group is the debut studio album by English hard rock band Michael Schenker Group, released in 1980. This was the first album after Schenker 's departure from UFO in 1978 and brief reunion with Scorpions for the album Lovedrive .
The Unforgiven is the ninth full-length studio album recorded by the various M.S.G. lineups and the sixth studio album by the hard rock band Michael Schenker Group released in 1999 . Track listing [ edit ]
The Essential UFO is a greatest hits album by UFO, released in 1992.This compilation covers the classic Michael Schenker era from 1974–79, with tracks from Phenomenon, Force It, No Heavy Petting, Lights Out, Obsession, and the live Strangers in the Night.
Obsession is the seventh studio album by English rock band UFO, released in 1978.This was the final studio album to feature Michael Schenker on lead guitar until he returned to the band in 1993.
"Unplugged" Live is a live album by the McAuley Schenker Group, recorded in California, during a tour with a completely acoustic set.Michael Schenker released this live album at the height of "unplugged" mania in the early 1990s, revising his blistering guitar antics as reflective, nylon-string, semi-classical ballads.