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"Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters , adapted the song and recorded their own versions.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
"A walking bass line is the most common approach to jazz bass playing. The term 'walking' is used to describe the moving feeling that quarter notes create in the bass part. Just like walking with your feet, the walking bass line is one step after the other that takes you somewhere. This is an important concept to remember, the walking bass line ...
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
In jazz, a walkdown is a descending bassline below chords sharing a common tone. [2] For example, if the above was G-D/F ♯ -Em 7 the bassline would descend, G, F ♯ , E, while D is held in common. Walkdown may also refer to the movement from V to IV in bars nine and ten of the twelve-bar blues .
His vigorous melodic bass playing, alternately plucking, slapping, and bowing, was an important feature of the early Ellington Orchestra in the 1920s and 1930s. Braud's playing on Ellington's regular radio broadcasts and recordings helped popularize the slap style of string bass playing, as well as encouraging many dance bands of the time to ...
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]
In spite of the song's title, it is not a blues but rather a folk song that uses the same chord pattern as Pachelbel's Canon. [1] Dylan scholar and musicologist Eyolf Ostrem notes that "[m]usically, it is a close cousin of "'Cross the Green Mountain" with which it shares the ever-descending bass line and some of the chord shadings that never manage to decide whether they're major or minor (and ...
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