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In the art business, the artistic value of a well-executed forgery is irrelevant to a curator concerned with the authenticity of provenance of the original work of art [20] — especially because formally establishing the provenance of a work of art is a question of possibility and probability, rarely of certainty, unless the artist vouches for ...
Among artists, authenticity in art describes a work of art faithful to the artist's values. [7] In the field of psychology, authenticity identifies a person living life in accordance with their true Self and personal values rather than according to the external demands of society, such as social conventions, kinship, and duty. [8]
[86] [note 16] According to Robert Welsh, the blue and yellow colors used in the work can be explained as astral "shells or radiations" of the figures. Can be thought that these personages take part in the Theosophical initiation. However, one should examine them as the same person "viewed in three complementary aspects."
"Art Matters: A Critical Commentary on Heidegger's Origin of the Work of Art", Springer Science and Business Media, 2009; Babich, Babette E. "The Work of Art and the Museum: Heidegger, Schapiro, Gadamer", in Babich, 'Words In Blood, Like Flowers. Philosophy and Poetry, Music and Eros in Hoelderlin, Nietzsche and Heidegger' (SUNY Press, 2006)
Also called humanocentrism. The practice, conscious or otherwise, of regarding the existence and concerns of human beings as the central fact of the universe. This is similar, but not identical, to the practice of relating all that happens in the universe to the human experience. To clarify, the first position concludes that the fact of human existence is the point of universal existence; the ...
For Levinson, "a work of art is a thing intended for regard-as-a-work-of-art: regard in any of the ways works of art existing prior to it have been correctly regarded" (1979, p. 234). Levinson further clarifies that by "intends for" he means: "[M]akes, appropriates or conceives for the purpose of'" (1979, p. 236).
John Dewey's Art as Experience, based on the William James lectures he delivered at Harvard University, was an attempt to show the integrity of art, culture and everyday experience (IEP). Art, for Dewey, is or should be a part of everyone's creative lives and not just the privilege of a select group of artists.
An aesthetic interpretation is an explanation of the meaning of some work of art. An aesthetic interpretation expresses an understanding of a work of art, a poem, performance, or piece of literature. There may be different interpretations to same work by art by different people owing to their different perceptions or aims.