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The author further noted that the book recorded "from the legendary figure Shihuang (also known as Cangjie, the chief minister of the Yellow Emperor, skilled in painting) to the first year of the Hui Chang era in the Tang dynasty, a total of 372 individuals were included. The sequence is meticulously arranged, and the evaluations are quite ...
Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization ...
Liu Zhibai (1915-2003) was a Chinese ink painter. Liu studied in Suzhou in 1933, in China's best art school at the time: the Suzhou Fine Arts College (this school had exhibited in the 1920s more than 500 famous plaster sculptures, and brought from France nearly ten thousand albums of Western art).
Such paintings and associated art works are a reflection of the vigorous medieval overseas trade between China and Japan. Piling (Chinese: 毘陵/毗陵; pinyin: pílíng; lit. 'adjacent to hill (old Name of Changzhou)') itself was a part of Changzhou close to Lake Tai in Jiangsu Province. Many other genre artists can be associated with this ...
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
Bamboo and Stone (竹石图), Guan Daosheng, ink on paper, National Palace Museum, Taipei. Guan Daosheng, also known as Guan Zhongji or Lady Zhongji (her courtesy name) (Chinese: 管道昇; Wade–Giles: Kuan Tao-sheng; 字仲姬；1262–1319), was a Chinese painter and poet who was active during the early Yuan dynasty.
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