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"Silence" is a song by Canadian electronic music group Delerium featuring Canadian singer and co-writer Sarah McLachlan, first released as a single in May 1999. Over the years, its remixes have been hailed as one of the greatest trance songs of all time, over two decades after its initial release. [ 1 ]
According to John Chedsey of Satan Stole My Teddybear, the electronic sounds on Karma are "airy, slightly cosmic and soothing", the vocals are light and soaring, and the album is "a very pleasant, unobtrusive listen". [6]
The single "Silence", featuring vocals by Sarah McLachlan, reached number three on the UK music charts.In 2000, three years after Karma was released, notable DJs such as Tiësto and Airscape produced remixes of "Silence", which generated interest and gained considerable radio airplay for the original track, albeit most airplay was for the remixes.
The TISM Omni-Album by TISM is a 100-minute album of silence, released in 2020. The Wit and Wisdom of Ronald Reagan, a 1980 Magic Records LP (A sublabel of Stiff Records created specifically for releasing this LP) consisting of two 20 minute silent tracks "The Wit of Ronald Reagan" and "The Wisdom of Ronald Reagan". The joke of the album was ...
"Il Silenzio" ("The Silence") is an instrumental piece, with a small spoken Italian lyric, notable for its trumpet theme. It was written in 1965 by trumpet player Nini Rosso, [1] its thematic melody being an extension of the same Italian Cavalry bugle call Il Silenzio d’Ordinanza used by Russian composer Tchaikovsky to open his Capriccio Italien (often mistaken for the U.S. military bugle ...
"7 O'Clock News/Silent Night" is a song by American music duo Simon & Garfunkel from their third studio album, Parsley, Sage, Rosemary and Thyme (1966). The track is a sound collage juxtaposing a rendition of the Christmas carol " Silent Night " with a simulated " 7 O'Clock News " bulletin consisting of actual events from the summer of 1966.
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"In Silence" is the eighth single by Japanese rock band Luna Sea, released by MCA Victor on July 15, 1996. It became the band's first song used in a television program when it was used as the theme song of the Japanese dub of the American television drama Chicago Hope .