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Song Album Musical artist Literary work Author Comments Citations "7th Step" Songs Inspired by Literature, Chapter One: Deborah Pardes: Angela's Ashes: Frank McCourt [29] "40" War: U2: The 40th Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [30] "1984" Diamond Dogs: David Bowie: Nineteen Eighty-Four: George Orwell
Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893. The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
Canticle Eight — The Song of the Three Holy Children (Daniel 3:57-88) [5] Canticle Nine — The Song of the Theotokos (the Magnificat: Luke 1:46–55); the Song of Zacharias (the Benedictus Luke 1:68–79) Originally, these Canticles were chanted in their entirety every day, with a short refrain inserted between each verse.
As examples of the distinction, "Amazing Grace" is a hymn (no refrain), but "How Great Thou Art" is a gospel song. [52] During the 19th century, the gospel-song genre spread rapidly in Protestantism and to a lesser but still definite extent, in Roman Catholicism; [ 53 ] the gospel-song genre is unknown in the worship per se by Eastern Orthodox ...
The Bible “Now That We Don’t Talk” from 1989 (Taylor’s Version), released in 2023, includes an allusion to a Bible story from the book of Exodus. “You part the crowd like the Red Sea ...
The most famous examples of wisdom literature in the western world are found in the Bible. [30] [31] Wisdom [a] is a central topic in the Sapiential Books, [b] i.e., Proverbs, Psalms, Job, Song of Songs, Ecclesiastes, Book of Wisdom, Wisdom of Sirach, and to some extent Baruch.
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [1] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [2]
As with several songs on Stage Fright, such as the title track, "Daniel and the Sacred Harp" reflects the difficulties the Band was going through at the time of the album's development. [1] The theme of "Daniel and the Sacred Harp" is "a loss of integrity." [1] The lyrics tell a story similar to the Robert Johnson myth.
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