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The speaker of Dickinson's poem meets personified Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712".
The reference to horses was first in James Carmichael's Proverbs in Scots printed in 1628, which included the lines: "And wishes were horses, pure [poor] men wald ride". [4] The first mention of beggars is in John Ray's Collection of English Proverbs in 1670, in the form "If wishes would bide, beggars would ride". [4]
Modern critics of the poem emphasize not the poem's overall quality of writing, but its many historical inaccuracies. For example, the poem depicts the lantern signal in the Old North Church as meant for Revere, but actually the signal was from Revere: the historical Paul Revere did not receive the lantern signal, but actually was the one who ...
I Ride an Old Paint is a traditional American cowboy song, collected and published in 1927 by Carl Sandburg in his American Songbag. [ 1 ] [ 2 ] Traveling the American Southwest , Sandburg found the song through western poets Margaret Larkin and Linn Riggs.
The Uffington White Horse, a prehistoric hill figure in England. The Ballad of the White Horse is a poem by G. K. Chesterton about the idealised exploits of the Saxon King Alfred the Great, published in 1911. [1] Written in ballad form, the work has been described as one of the last great traditional epic poems ever written in the English ...
"How They Brought the Good News from Ghent to Aix" is a poem by Robert Browning published in Dramatic Romances and Lyrics, 1845. [1] The poem, one of the volume's "dramatic romances", is a first-person narrative told, in breathless galloping meter, by one of three riders; the midnight errand is urgent—"the news which alone could save Aix from her fate"—although the nature of that good news ...
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A writer in The Sydney Morning Herald noted, of the original publication: "A beautiful volume, as far as typography goes, is Mr Will H. Ogilvie's 'Fair Girls and Gray Horses,' a collection of Australian poetry with the imprint of the 'Bulletin' Company. The real westward—that means anywhere from Menindie to the Gulf of Carpentaria and west of ...