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The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
I, a Man is a 1967 American erotic drama film written, directed and filmed by Andy Warhol. It debuted at the Hudson Theatre in New York City on August 25, 1967. [ 1 ] The film depicts the main character, played by Tom Baker , in a series of sexual encounters with eight women. [ 1 ]
"Ich bin ein Musikante" (lit. ' I am a musician ' or ' minstrel ') is a German cumulative folksong, first published in 1838.It has been loosely translated into many languages, including two English translations: "I Am a Fine Musician" (1949) popularised by The Dick Van Dyke Show, and "The Music Man" (1951), which has become a well known song in England.
"I Am a Man!" has been used as a title for books, plays, and in music [6] and film [7] to assert the rights of all people to be treated with dignity. "I Am a Man!" was a foundational reference in Derek DelGaudio's theater show "In & Of Itself." DelGaudio created 1,000 "I AM" cards, each with a different descriptor.
Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
In 1987, Italian producer Gianfranco Bortolotti released a medley under his Club House alias, with "I'm a Man" being mixed with Mory Kanté's "Yé ké yé ké". In 1989 the single was licensed to Music Man Records in the UK and became a small hit peaking at No. 69 in the British charts. [12] [13] Los Lonely Boys released the song on their album ...
In her role in I, a Man, Solanas leaves the film's title character, played by Tom Baker, to fend for himself, explaining, "I gotta go beat my meat" as she exits the scene. [27] She was satisfied with her experience working with Warhol and her performance in the film, and brought Maurice Girodias, the founder of Olympia Press, to see it ...
Introduction and variations on "Nel cor più non mi sento" from La molinara by Giovanni Paisiello, MS 44 (1827) -also with guitar accompaniment-"Capriccio" (a.k.a. Preludio) in G major, MS 54 (1828) "God Save The King" Variations on the English national anthem, Op.9, MS 56 (1829)
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