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The banderole on the facade says "hier wohnte und schuf der große Bildschnitzer und Maler Michael Pacher †1498" Pacher was born around 1435 [2] near Brixen on the southern slopes of the Alps in the County of Tyrol. Little is known of his training. His earliest recorded work is an altarpiece that was dated 1465 and signed, but which is now lost.
King Ludwig I of Bavaria ordered Leo von Klenze to erect a new building for the gallery for the Wittelsbach collection in 1826. [2] The Alte Pinakothek was the largest museum in the world and structurally and conceptually well advanced through the convenient accommodation of skylights for the cabinets. [4]
St. Wolfgang Altarpiece (1481) by Michael Pacher, St. Wolfgang im Salzkammergut; San Giobbe Altarpiece by Giovanni Bellini, c. 1487, an early example whose background continues the architecture of the church; Altarpiece of Veit Stoss (1489) by Veit Stoss (St. Mary's Basilica, Kraków) Kefermarkt Altarpiece (1490–1497) by an unknown artist
The altarpiece was made by a main sculptor, who is often referred to by a notname as the Master of the Kefermarkt Altarpiece. [4] It has been assumed that he was the head of a workshop, which together with its main sculptor made two of the figures in the central section (Saint Wolfgang and Saint Peter ), the reliefs on the wings, and most of ...
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A number of figural motifs link the Litoměřice Altarpiece with the Melk Altarpiece (1502) painted by Jörg Breu the Elder.[14] The painter's attention to detail, such as wrinkles, sprouting whiskers, knots in wood and coils of rope, are characteristic of the early Renaissance style of painting. The painter was well-acquainted with the ...