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Māori hei-tiki, 1500-1800, jade (), from New Zealand, Musée du quai Branly – Jacques Chirac (Paris). Jewellery making in the Pacific started later than in other areas, due to relatively recent human settlement.
Creating a hei-tiki with traditional methods is a long, arduous process during which the stone is smoothed by abrasive rubbing; finally, using sticks and water, it is slowly shaped and the holes bored out. After laborious and lengthy polishing, the completed pendant is suspended by a plaited cord and secured by a loop and toggle.
The Māori word pounamu is derived from namu, an archaic word that describes blue-green (or 'grue') cognate with Tahitian ninamu. [2] Pounamu, also used in New Zealand English, in itself refers to two main types of green stone valued for carving: nephrite jade, classified by Māori as kawakawa, kahurangi, īnanga, and other names depending on colour; and translucent bowenite, a type of ...
Manaia pounamu carving. The Manaia is a mythological creature in Māori culture, and is a common motif in Māori carving [1] and jewellery.. The Manaia is usually depicted as having the head of a bird and the tail of a fish and the body of a man, though it is sometimes depicted as a bird, a serpent, or a human figure in profile.
Traveller's sundial pendant (a portable form of astronomical rings) used to tell time from the sun. Tools worn as pendants include Maori pounamu pendants. Shepherd's whistles, bosun's whistles, and ocarinas can also be made as pendants. Portable astronomical and navigational instruments were made as pendants.
They are also popular items on the tourist market. Many modern pendants are not functional fish hooks. In contemporary times, hei matau are commonly carved from cattle bone. Some Māori carvers continue to use whale bone, and such pieces are highly valued not only because of the beauty of whale bone and its cultural and historical significance ...
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