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Some have found no link between the aesthetic and the moral (i.e. being morally reprehensible does not deny an artwork its art status; it does not cease having aesthetic value no matter how depraved some might see it being), whereas others, who have not gone down the explicitly Platonist route, have argued that the relationship is one akin to ...
On Moral Fiction is a collection of essays by the American novelist John Gardner published in 1978. ( ISBN 0-465-05225-8 ) In this work, Gardner attacks what he sees as contemporary literature's lack of morality , which he calls the highest purpose of art and which he defines in the book.
In order to have moral character, we must understand what contributes to our overall good and have our spirited and appetitive desires educated properly, so that they can agree with the guidance provided by the rational part of the soul. According to Plato, Moral Character is directly linked to and understanding contributions to the overall good.
The root of the words subjectivity and objectivity are subject and object, philosophical terms that mean, respectively, an observer and a thing being observed.The word subjectivity comes from subject in a philosophical sense, meaning an individual who possesses unique conscious experiences, such as perspectives, feelings, beliefs, and desires, [1] [3] or who (consciously) acts upon or wields ...
Artistic integrity is generally defined as the ability to omit an acceptable level of opposing, disrupting, and corrupting values that would otherwise alter an artist's or entities’ original vision in a manner that violates their own preconceived aesthetic standards and personal values.
A moral (from Latin morālis) is a message that is conveyed or a lesson to be learned from a story or event. [1] The moral may be left to the hearer, reader, or viewer to determine for themselves, or may be explicitly encapsulated in a maxim. [2] A moral is a lesson in a story or real life. [3]
The argument from luck is a criticism against the libertarian conception of moral responsibility. It suggests that any given action, and even a person's character, is the result of various forces outside a person's control.
Minima Moralia: Reflections from Damaged Life (German: Minima Moralia: Reflexionen aus dem beschädigten Leben) is a 1951 critical theory book by German philosopher Theodor W. Adorno. Adorno started writing it during World War II , in 1944, while he lived as an exile in America, and completed it in 1949.