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Weihnachtslieder (Christmas Songs), Op. 8, is a song cycle of six lieder related to Christmas by Peter Cornelius, who set his own poems for voice and piano between 1856 and 1870. [1] [2] The full title is: Weihnachtslieder : ein Cyklus für eine Singstimme mit Pianofortebegleitung : Op. 8 / Text und Musik von Peter Cornelius. Cornelius ...
The 1870s saw the expansion of the British Music Hall genre. Those who wrote music began more than ever to write them for live performances. It was an era of light music. The well-known composer G. H. MacDermott was known for his dedication to themes which were not appropriate at the time which led many to ban his work.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Yule logs. Crackling fireplaces are common themes in Christmas imagery. The symbolism of the roaring fire traces back to the yule log ritual, which originated from a pagan practice predating ...
The first version was for solo piano, written in 1873–74. This was not published, and is catalogued as S. 185a. In about 1875 Liszt arranged it for piano four hands (S. 612a). This was also not published. The version for solo piano (or harmonium) was revised 1874–76 (S. 186) and the version for piano four hands was revised 1876-81 (S. 613).
Piano Music in the South During the Civil War Period, 1855–1870. University of South Carolina. Trotter, James M. (1878). Music and Some Highly Musical People. New York: Charles T. Dillingham. Wincenciak, Sue Lockhart (1971). An Investigation of the Persuasive Impact of Popular Music During the Civil War. Kent State University. Wondrich, David ...
According to Britannica, German settlers brought with them the tradition of putting up Christmas trees to America, but most Puritans rejected this custom because of its foreign pagan roots. And ...
The composer Edward McDowell premiers his Piano Concerto No. 2 in New York, establishing him as one of the most prominent composers of the era. [55] W. S. B. Matthews' A Hundred Years of Music in America is the first attempt at a history of "popular and the higher music education" in the country; it hails Lowell Mason as the founder of American ...
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