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Francesca da Rimini [a] or Francesca da Polenta [a] (died between 1283 and 1286) [1] was an Italian noblewoman of Ravenna, who was murdered by her husband, Giovanni Malatesta, upon his discovery of her affair with his brother, Paolo Malatesta.
From 1275 onwards he played an active part in the Romagnole Wars and factions. He is chiefly famous for the domestic tragedy of 1285, recorded in Dante's Inferno: upon finding his wife, Francesca da Polenta (Francesca da Rimini), in adulterous embrace with his own brother (Paolo Malatesta), he killed them both with his own hands.
Paolo Malatesta (Italian pronunciation: [ˈpaːolo malaˈtɛsta]; c. 1246 – 1285), also known as il Bello ('the Beautiful'), was the third son of Malatesta da Verucchio, Lord of Rimini. He is best known for the story of his affair with Francesca da Polenta , portrayed by Dante in a famous episode of his Inferno (Canto V).
In the first volume, Inferno, of The Divine Comedy, Dante and Virgil meet Francesca and her lover Paolo in the second circle of hell, reserved for the lustful. Da Rimini's father had forced her to marry the lame Giovanni Malatesta for political reasons, but she fell in love with Giovanni's brother Paolo.
Jose Uribe told jurors that he bribed Sen. Bob Menendez and his wife in exchange for the senator killing the prosecution of a friend.
The work was based on his reading about Paolo and Francesca in hell. Hunt's version gives a sympathetic portrayal of how the two lovers came together after Francesca was married off to Paolo's brother. The work promotes compassion for all of humanity and the style served to contrast against the traditional 18th century poetic conventions.
Paolo and Francesca da Rimini is a watercolour by British artist and poet Dante Gabriel Rossetti, painted in 1855 and now in Tate Britain. The painting is a triptych inspired by Canto V of Dante 's Inferno , which describes the adulterous love between Paolo Malatesta and his sister-in-law Francesca da Rimini .
This way introducing himself allows us to interpret it in various ways, but one of the oldest commentators of the Comedy suggests a derogatory nature of this name: "Ciacco is said to be a pig's name, hence he was called this way for his gluttony."