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"Telephone Thing" is a song by British post-punk band the Fall, written by Mark E. Smith with Coldcut members Matt Black and Jonathan More. Produced and mixed by Coldcut, it was released as a single in January 1990 and reached number 58 on the UK singles chart. [1] It also featured on the Fall's twelfth album, Extricate.
The music video for "Turn It Up" was directed by Nick Frew and filmed on 16 April 2010 in Downtown Los Angeles. [3] [4] It premiered on 6 May 2010.[5] [6]The video is literal of the song's lyrics; it features Lott walking the back streets of Los Angeles whilst singing, before cutting to several different scenes on rooftops of Lott singing and dancing during sunrise and sunset.
Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records. The record gave the band their first number one album on the UK Independent Chart since Grotesque (After the Gramme) in 1980, and spent fourteen weeks on the chart.
Turn It Up (Pixie Lott album), or the title song (see below); Turn It Up (Rare Essence album); Turn It Up (Shannon Noll album); Turn It Up (Josh Thompson album), or the title song ...
"Turn It Up" is the third single from English rock band the Feeling's second album, Join with Us (2008). It was released digitally on 30 June, with the CD out on 7 July. It was released digitally on 30 June, with the CD out on 7 July.
"Turn It Up" is a song by American heavy metal band Texas Hippie Coalition. Released on June 13, 2012, it is the first single from Peacemaker , the third studio album from the ensemble. The song is the first by the band to chart on the Billboard Mainstream Rock chart , peaking at number 39.
"Turn It On, Turn It Up, Turn Me Loose" is a song written by Kostas and Wayland Patton, and recorded by American country music artist Dwight Yoakam. It was released in September 1990 as the lead-off single from his album If There Was a Way. It peaked at #11 in the United States, and #5 in Canada. [1]
The Real New Fall LP was positively received, receiving an 85/100 score at Metacritic.com. [5]Alex Linhardt of Pitchfork called it "as valuable an album as anything The Fall ever released in the 1990s" and stated that "Smith's lyrics are at a near career-best of insolence and nonsense."