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Mathnawi (Arabic: مثنوي, mathnawī) or masnavi (Persian: مثنوی, mas̲navī) is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawī poems follow a meter of eleven, or occasionally ten, syllables, but had no limit in their length. [1]
Three of the best-known poems in the collection are "Praise for Creation and Providence", "Against Idleness and Mischief", and "The Sluggard". [3] "Praise for Creation and Providence" (better known as "I sing the mighty power of God") is now a hymn sung by all ages. [4] "
With the growth of Seth's reputation, the volume has been reprinted by mainstream publishers (ISBN 0-670-05846-7). Original poems range from a cautionary tale in rhyming couplets ("The Tale Of Melon City"), through Seth's characteristic musings - some serious and some light-hearted - on life, love and landscape, to the title poem reflecting on ...
Poems in rhyming couplets, each couplet with a different rhyme, thus with the scheme AA BB CC. A poem of this type is known as a masnavi (plural masnavīyāt ). The poems in rhyming couplets can be of any length from a single couplet to long poems such as Ferdowsi 's Shahnameh , which is over 50,000 couplets long, or Rumi 's Masnavi-ye Ma'navi ...
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
The Landay (Pashto: لنډۍ) is a traditional Afghan poetic form consisting of a single couplet. There are nine syllables in the first line, and thirteen syllables in the second. These short poems typically address themes of love, grief, homeland, war, and separation. [1]
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
A ghazal is composed of ashaar, which are similar to couplets, that rhyme in a pattern of AA BA CA DA EA (and so on), with each individual she'r (couplet) typically presenting a complete idea not necessarily related to the rest of the poem. [2] They are often described as being individual pearls that make up a united necklace.