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The Minoan civilization in the Bronze Age (c. 3500–1100 B.C.E) was located on the island of Crete. [1] Focusing on the palatial periods between c. 1900 and c. 1300 b.c. (Mid Bronze Age). Art that focuses on just scenes of war alone is impossible as there are many other references that can be made not relating to war at all.
Minoan art is often described as having a fantastical or ecstatic quality, with figures rendered in a manner suggesting motion. Little is known about the structure of Minoan society. Minoan art contains no unambiguous depiction of a monarch, and textual evidence suggests they may have had some other form of governance.
Some works appear to have subjects adjusted to warlike Mycenaean tastes, although the distinctively Minoan subject of bull-leaping also appears. The production of luxury art for, and probably often in, the Minoan palaces was already a well-established tradition when Mycenaean elites became customers, and was perhaps more integrated into Minoan ...
Minos appears in Greek literature as the king of Knossos as early as Homer's Iliad and Odyssey. [2] Thucydides tells us Minos was the most ancient man known to build a navy. [3] He reigned over Crete and the islands of the Aegean Sea three generations before the Trojan War.
The Bull-Leaping Fresco from Knossos showing bull-leaping, c. 1450 BC; probably, the dark skinned figure is a man and the two light skinned figures are women. The history of Crete goes back to the 7th millennium BC, preceding the ancient Minoan civilization by more than four millennia.
Minoan art is the art produced by the Bronze Age Aegean Minoan civilization from about 3000 to 1100 BC, though the most extensive and finest survivals come from approximately 2300 to 1400 BC. It forms part of the wider grouping of Aegean art , and in later periods came for a time to have a dominant influence over Cycladic art .
Helladic chronology is a relative dating system used in archaeology and art history.It complements the Minoan chronology scheme devised by Sir Arthur Evans for the categorisation of Bronze Age artefacts from the Minoan civilization within a historical framework.
They are regarded as part of Minoan art, although the culture of Thera was somewhat different from that of Crete, and the political relationship between the two islands at the time is unclear. They have the advantage of mostly being excavated in a more complete condition, still on their walls, than Minoan paintings from Knossos and other Cretan ...