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A honggaitou (Chinese: 紅蓋頭; pinyin: hónggàitou), also shortened to gaitou (Chinese: 蓋頭; pinyin: gàitou; lit. 'head cover') [1] and referred to as red veil in English, [2]: 37 is a traditional red-coloured bridal veil worn by the Han Chinese brides to cover their faces on their wedding ceremony before their wedding night.
In contrast to Western wedding pictures, the Chinese wedding album will not contain pictures of the actual ceremony and wedding itself. In Mandarin Chinese, a mang nian (盲年), or 'blind year', when there are no first days of spring, such as in year 2010, a Year of the Tiger, is considered an ominous time to marry or start a business. [24]
Fengguan xiapei (Chinese: 凤冠霞帔) is a type of traditional Chinese wedding set of attire categorized under Hanfu, which was worn by Han Chinese women in Ming and Qing dynasties. [1] The fengguan xiapei attire was composed an upper and lower garment following the traditional Chinese yichang clothing system.
The first step is the selection of auspicious dates (看日子) for the Chinese wedding, the betrothal and the installation of the bridal bed. A Chinese monk or a temple fortune teller selects a suitable date based on the couple's birth dates and times. Some may also refer to the Chinese calendar or almanac for good days.
A bride in Xiuhefu near Xiehemen. In general, the design and construction of the Xiuhefu is not bound by any traditional clothing making rules. [1] However, as a set of attire, it follows the traditional yichang system being typically composed of a waist-length liling dajin ao, a form of ao (a form of Chinese coat) which has front lapel overlapping across the chest and closing on the right ...
Jiaobeijiu (Chinese: 交杯酒; lit. 'cross-cupped wine'), also known as Hejin (Chinese: 合卺; pinyin: héjǐn; lit. 'to join nuptial wine cup') in ancient times, is a traditional Chinese nuptial ceremonial rite where newlywed couples interlinking and crossing their arms to sip jiu (Chinese: 酒; lit. 'wine') from two separated cups to their future marital happiness, to promise their ...
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Tuanshan with Chinese paintings and with calligraphy became very popular by the Song dynasty [4]: 8, 12–16 among court circles and artists [1] and even continued to be in use even by the end of the 19th century. [2]: 206 The tuanshan was also used as part of the traditional Chinese wedding and was part of the ceremonial wedding rite. [6]
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