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Sending this control voltage (CV) "steals" one voice from the master. Up to one control-voltage pulse can be sent per step, triggering the slave unit by one step. The DR-220 can also accept control from other devices such as a sequencer or trigger pad. The trigger output sends a +5vDC pulse for 8 msec maximum; the input recognizes +5v to +15v.
The Super OverDrive was released in 1981 as Boss's second overdrive pedal, adding a tone control to the earlier OD-1 design, while continuing to replicate the sound of tube amp-style overdrive [15] via an asymmetrical clipping circuit and an inherent midrange-focus, but with less bass roll-off. [10]
The DR-110 used a four-bit Hitachi HD44790A44 CMOS microprocessor [1] and 0.5 KB of μPD444C RAM memory. [2] In 1985, Boss released the smaller DR-220 with eleven voices. These devices had much the same functionality as the DR-110, but relied upon digital button-press control of parameters rather than knobs.
Pages in category "Boss Corporation" The following 9 pages are in this category, out of 9 total. ... Boss DR-110 Dr. Rhythm; Boss DR-220; Boss DS-1; Boss HM-2; Boss ...
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While the Dr. Sample SP-303 may lack some of the features seen on other hip hop production samplers such as the Ensoniq ASR-10, the Akai MPC, and later SP installments, it however has many other unique features that make up for that. Like the SP-202, the SP-303 utilizes 8 pads, 4 soundbanks, and an external mic.
The Roland TR-909 Rhythm Composer, commonly known as the 909, is a drum machine introduced by Roland Corporation in 1983, succeeding the TR-808.It was the first Roland drum machine to use samples for some sounds, and the first with MIDI functionality, allowing it to synchronize with other devices.
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