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The band was formed as a result of Lyle and McEwan meeting during a co-writing workshop in 2012 in North Hollywood, CA. [2] [3] Inspired in part by the score for Drive, and the retro synth genre growing around its release, [3] the pair wrote two singles, "WeMoveForward" and "Gloria", that would be released two years later in 2014 as part of their debut EP titled Days of Thunder.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
In its form as a single-movement character piece usually written for solo piano, the nocturne was cultivated primarily in the 19th century. The first nocturnes to be written under the specific title were by the Irish composer John Field , [ 3 ] generally viewed as the father of the Romantic nocturne that characteristically features a cantabile ...
"Johannesburg" is a song by Gil Scott-Heron and Brian Jackson, with music provided by the Midnight Band. It is the first track on Scott-Heron and Jackson's collaborative album From South Africa to South Carolina, released in November 1975 through Arista Records.
In a multi-section song form, such as AB or AABA, the first section. In 32-bar AABA form, the first A section is the first eight bars, and it contains the main melody. accordion. A free-reed instrument with two keyboards played with the hands, in which the sound is produced by pumping a bellows.
Huneker states that the piece "really contains but one subject, and is a song of the sweet summer of two souls, for there is obviously meaning in the duality of voices." [ 7 ] The piece contains a harmony of broken chords which is played with the left hand, a habit Chopin had when composing his nocturnes, [ 8 ] while the right hand plays the ...
A 240 bpm track, for example, matches the beat of a 120 bpm track without slowing down or speeding up, because both have an underlying tempo of 120 quarter notes per minute. Thus, some soul music (around 75–90 bpm) mixes well with a drum and bass beat (from 150 to 185 bpm).
Beethoven's student Carl Czerny called it "a nocturnal scene, in which a mournful ghostly voice sounds from the distance". [1] The movement was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Czerny, "Surely I've written better things".