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The MTV Video Music Award for Best Visual Effects is a craft award given to the artist, the artist's manager, and the visual effects artists and/or visual effects company of the music video. From 1984 to 2006, the award's full name was Best Special Effects in a Video , and after a brief removal in 2007, its name was shortened to Best Special ...
"Music of My Heart" NSYNC and Gloria Estefan: Music of the Heart: Stephen Schwartz & Babyface "When You Believe" Mariah Carey and Whitney Houston: The Prince of Egypt: Phil Collins "You'll Be in My Heart" Phil Collins Tarzan: 2001 [14] Randy Newman "When She Loved Me" Sarah McLachlan: Toy Story 2: Samuel J. Barnes, Beyoncé Knowles, Jean Claude ...
Visual music, sometimes called color music, refers to the creation of a visual analogue to musical form by adapting musical structures for visual composition, which can also include silent films or silent Lumia work. It also refers to methods or devices which can translate sounds or music into a related visual presentation.
Since 2012, the category has been known as Best Compilation Soundtrack for Visual Media. Years reflect the year in which the Grammy Awards were presented, for music released in the previous year. The award is presented to the artist or artists of a majority of tracks or the producer or producers of a majority of tracks on the album.
The Country Music Association Awards is a major awards show in country music. Formerly known as the Music Video of the Year Award, Video of the Year was originally presented at the 1985 Country Music Association Awards. The category honours excellence in country music videos that have been released during the eligibility years and is awarded to ...
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
The first electronic music visualizer was the Atari Video Music introduced by Atari Inc. in 1977, and designed by the initiator of the home version of Pong, Robert Brown. The idea was to create a visual exploration that could be implemented into a Hi-Fi stereo system. [1] In the United Kingdom music visualization was first pioneered by Fred Judd.
In an example with overt musical connections, The Oxford Handbook of New Audiovisual Aesthetics cites musician Brian Williams (aka Lustmord) as someone whose practise crosses audiovisual art and mainstream media, where his work is "not traditionally 'musical'" and has "clearly visual aspects".