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On March 24, the same day the album was released, the band released a music video for "Hold Me Like a Grudge". The video is a continuation of the music video for the band's song, "This Ain't a Scene, It's an Arms Race". [7] [8] Pete Wentz called it "the most ambitious music video that we’ve attempted to make in the past 10 years." [7]
On March 13, the band announced that "Hold Me Like a Grudge" would be the next single of the album. On March 15, a clip of the song was shared. [27] On March 24, the same day the album was released, the band released a music video for "Hold Me Like a Grudge".
The music video for "Hold Me Like a Grudge", the third single off the band's eighth studio album, So Much (for) Stardust, acts as a sequel to the video for "This Ain't a Scene, It’s an Arms Race". The beginning of Hold Me Like A Grudge shows what happened after Pete attempted to stage dive, it is revealed that Pete broke his leg, and ends up ...
Rodrigo even shut down theories that her song “Vampire” is about Swift. She told The Guardian, “I mean, I never want to say who any of my songs are about. I’ve never done that before in my ...
Teasing the song, the band posted a photo of a package with a set of coordinates leading to the Field of Dreams movie filming site in Dyersville, Iowa. [1] The package contained another seashell marked 2 of 13 with a letter, this time printed was the date January 25, 2023, and a speculated song title "Heartbreak Feels So Good".
"Hold Me" is a 1982 song by the British-American rock group Fleetwood Mac. It was the first track to be released as a single from the band's thirteenth album Mirage . Written by Christine McVie and Robbie Patton , McVie and Lindsey Buckingham shared lead vocals on the song.
When we hold a grudge against someone (even if we feel 100% justified in our anger) it is easy to make them into a cartoon villain, and we forget that they, too, are human, too. "Widen the story ...
"Hold Me" was the first single release of Houston's career. In the US, the song became a top ten hit on both the R&B singles chart and adult contemporary singles chart and peaked at number 46 on the US Billboard Hot 100 in 1984 and number 44 on the UK OCC Singles Chart in 1986.