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Thirty forms of fleuron have code points in Unicode.The Dingbats and Miscellaneous Symbols blocks have three fleurons that the standard calls "floral hearts" (also called "aldus leaf", "ivy leaf", "hedera" and "vine leaf"); [7] twenty-four fleurons (from the pre-Unicode Wingdings and Wingdings 2 fonts) in the Ornamental Dingbats block and three more fleurons used in archaic languages are also ...
Die ganze Welt in einem Kleberblat (The entire World in a Cloverleaf). Jerusalem is in the centre of the map surrounded by the three continents. The Bünting cloverleaf map, also known as The World in a Cloverleaf, (German title: "Die ganze Welt in einem Kleberblat/Welches ist der Stadt Hannover meines lieben Vaterlandes Wapen") is a historic mappa mundi drawn by the German Protestant pastor ...
Bünting's world map. Made to look like a clover leaf. The coat of arms of his hometown of Hannover Bünting's map of Europe Bünting's map of Africa. Heinrich Bünting (1545 – 30 December 1606) was a German Protestant pastor and theologian.
In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material.
The darker blocks are images. The whole bed of type is printed on a single sheet of paper, which is then folded and cut to form many individual pages of a book. The general form of letterpress printing with a platen press shows the relationship between the forme (the type), the pressure, the ink, and the paper.
Having leaf tissue taper down the petiole to a narrow base and always having some leaf material on each side of the petiole auriculate: auriculatus: leaf base: Having ear-shaped appendages reaching beyond the attachment to the petiole or stem (in case of a seated leaf) caudate: caudatus: leaf tip: Tailed at the apex cirrus, cirrate: leaf tip
Curling acanthus-type leaves occur frequently in the borders and ornamented initial letters of illuminated manuscripts, and are commonly found in combination with palmettes in woven silk textiles. In the Renaissance classical models were followed closely, and the acanthus becomes recognisable again in large-scale architectural examples. The ...
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