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The Real Mother (Indian folktale) The Three Princes of Serendip; The Tiger, the Brahmin and the Jackal; The Tortoise and the Birds; Toxic: A Fairy Tale for Grown-Ups; Tulisa, the Wood-Cutter's Daughter; The Turtle Prince (folktale) Tutinama; The Twelve Dancing Princesses
The earliest record of the folklore was included in the Panchatantra, which dates the story between 200 BCE and 300 CE. Mary Frere included a version in her 1868 collection of Indian folktales, Old Deccan Days, [1] the first collection of Indian folktales in English. [2] A version was also included in Joseph Jacobs' collection Indian Fairy ...
His essay "Where Mirrors Are Windows: Toward an Anthology of Reflections" (1989), and his commentaries in The Interior Landscape: Love Poems from a Classical Tamil Anthology (1967) and Folktales from India, Oral Tales from Twenty Indian Languages (1991) are good examples of his work in Indian folklore studies. [citation needed]
Sammohinee Ghosh of Mid-day, a Mumbai daily, states that "Kushalappa’s writing strikes the reader through its detailed and in-depth research." [3]Shweta Sharan of the Mint, a New Delhi-based publication under HT Media, states, "Keen to retell and document fables and myths from India, Nitin Kushalappa MP has collected 15 fantastic folk tales from South India in his latest book, 'Dakshin ...
Durg — Durgasimha's Kannada translation of c. 1031 CE is one of the earliest extant translations into an Indian vernacular. Soma — Somadeva's Kathasaritsagara ("Ocean of Streams of Story") of 1070 is a massive collection of stories and legends, to which a version of the Panchatantra contributes roughly half of Book 10.
Singhasan Battisi is a collection of Indian folk tales. The title literally means "thirty-two (tales) of the throne". The title literally means "thirty-two (tales) of the throne". In the frame story , the 11th century king Bhoja discovers the throne of the legendary ancient king Vikramaditya .
T. The Tale of the Four Dervishes; Tana and Riri; Telugu folk literature; Thakurmar Jhuli; The King Who Would Be Stronger Than Fate; The Three Princes of Serendip
Murray B. Emeneau considers the migration of this story, through its steps from India to Wales, as "one of the best authenticated cases of such diffusions of folk-tales". [10] It is classified as Aarne-Thompson type 178A. [4] The story occurs in all versions of the Panchatantra, as well as the later Sanskrit works Hitopadesha [11] and the ...