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There is no record of Cole commenting on the theme of Prometheus Bound.Art historian Patricia Junker notes that writers and artists often took up the myth of Prometheus in the decades before Cole's painting; they include Lord Byron, James Gates Percival, Elizabeth Barrett Browning, James Russell Lowell, Henry David Thoreau, and Henry Wadsworth Longfellow.
Albany Institute of History & Art, New York [138] Study for The Voyage of Life: Old Age: c. 1837 – c. 1839: Oil on wooden panel 30.5 by 34.8 centimetres (12.0 in × 13.7 in) Albany Institute of History & Art, New York [139] Figure Study for The Voyage of Life: Youth: c. 1839 – c. 1840: Oil and graphite on canvas
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Prometheus Bound (Ancient Greek: Προμηθεὺς Δεσμώτης, romanized: Promētheús Desmṓtēs) is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC.
Prometheus Bound is an oil painting by Peter Paul Rubens, a Flemish Baroque artist from Antwerp. [1] Influenced by the Greek play, Prometheus: The Friend of Man , Peter Paul Rubens completed this painting in his studio with collaboration from Frans Snyders , who rendered the eagle.
The Illiac Passion premiered at the Film-Maker's Cinematheque in April 1968. [4] The film screened at the fourth Knokke-Le-Zoute Experimental Film Festival [] in 1967. The festival jury made the controversial decision not to consider The Illiac Passion for any prizes, since Markopoulos had previously won for Twice a Man. [5]
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Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.