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Process cameras were still widely in use until the late 1980s and early 1990s. By that time, a combination of digital camera, desktop publishing, and finally computer to plate technologies became economically viable and had significant advantages over the analogue process cameras. There was a reduced need for staff to operate the cameras and ...
A film to HD video transfer machine was introduced, novel in that the HD camera was not part of the transfer machine but mounted on it. An upgrade would be easy, just change the HD camera, the film transport deck stayed the same. A fiber optic–based 35 mm ground glass to video chip reducer was patented and sold to a competitor.
1.1 16 mm film cameras. 1.2 110 film cameras. ... Minolta repo (Half frame 35mm) Minolta 24 Rapid (Square format 35mm) Leica CL (Also sold as the Leitz Minolta CL)
The Arri 765 is a 65 mm camera with a 5-perforation pull-down mechanism. The mirror reflex shutter is manually adjustable between 180° and 15° and has a diameter of 200 mm. The camera can record between 2 and 100 fps, the motors can run both in forward and reverse mode.
Miranda Sensorex which featured interchangeable prisms. The Miranda Camera Company (ミランダカメラ㈱) , originally named the Orion Camera K.K. (オリオンカメラ㈱) in 1955 and Orion Seiki Sangyō Y.K. (オリオン精機産業有限会社) in 1947, manufactured cameras in Japan between 1955 (70 years ago) () and 1976 (49 years ago) ().
The modern era of 16 mm cameras is concurrent with that of 35 mm for both the same reasons as 35 mm as well as an additional change: the creation of the Super 16 format by Rune Ericsson in 1971. The format expanded the usable film negative horizontally, which required a larger film gate and necessitated either specialized conversion of machined ...
The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
The Eyemo is a non-reflex camera: viewing while filming is through an optical viewfinder incorporated into the camera lid. Some models take one lens only. In 1929 there was the first three-port Eyemo, while the "spider model" features a rotating three-lens turret and a "focusing viewfinder" on the side opposite the optical viewfinder.