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Hadestown is a musical with music, lyrics, and book by Anaïs Mitchell.It tells a version of the ancient Greek myth of Orpheus and Eurydice. Eurydice, a young girl looking for something to eat, goes to work in a hellish industrial version of the Greek underworld to escape poverty and the cold, and her poor singer-songwriter lover Orpheus comes to rescue her.
The musical Hadestown, written by American singer-songwriter Anaïs Mitchell and based on her 2010 studio album of the same name, has had two official cast recordings.In addition, various songs from Hadestown were re-recorded by Mitchell for her 2014 studio album Xoa, including the musical's opening number "Anyway the Wind Blows" which had not appeared on the original concept album.
Eleven shows currently running on Broadway have at least 1,000 performances: the 1996 revival of Chicago, The Lion King, Wicked, The Book of Mormon, Aladdin, Hamilton, Harry Potter and the Cursed Child, Hadestown, Moulin Rouge!, Six, and MJ the Musical.
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The Musical (2006), Norman Osborn/Green Goblin in Spider-Man: Turn Off the Dark (2011), and Hades in Hadestown (2019–2022), the last of which earned him a Grammy Award for Best Musical Theater Album and a nomination for the Tony Award for Best Featured Actor in a Musical.
The show instantly became popular [259] and was extended three times, [d] the last performance being December 15, 2018. [262] [263] The musical Hadestown was the next show to open at the Walter Kerr, premiering in April 2019; [264] [265] as of 2023, it is the longest-running show in the theater's history. [266]
Hadestown is the fourth studio album by American folk singer-songwriter Anaïs Mitchell, and was released by Righteous Babe Records on March 9, 2010. The concept album, which became the basis for the stage musical of the same name, follows a variation on the ancient Greek myth of Orpheus and Eurydice, where Orpheus must embark on a quest to rescue his wife Eurydice from the underworld.
During a performance of Hadestown on October 12, 2022, White twice reprimanded an audience member from the stage for recording the production. [16] [17] White was unaware that this audience member was not recording, and was in fact using a captioning device because she was disabled and needed it to understand the dialogue of the musical. [18]