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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
It is now considered one of the best films noir of all time, as evidenced by its inclusion on the Time "All-Time 100 Movies" list [6] and Slant Magazine ' s "100 Essential Films", [7] and it is ranked number one on Slant's "The 100 Best Film Noirs of All Time". [8] The BBC ranked it number 89 in their list of the 100 greatest American films of ...
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
Double Indemnity is a 1944 American film noir directed by Billy Wilder and produced by Buddy DeSylva and Joseph Sistrom. Wilder and Raymond Chandler adapted the screenplay from James M. Cain's novel of the same name, which ran as an eight-part serial in Liberty magazine in 1936.
Bibliotheca Alexandrina's 100 Greatest Egyptian Films; Cahiers du Cinéma's Annual Top 10 Lists; BBC's 100 Greatest Films of the 21st Century; List of the 100 Italian films to be saved; List of films considered the best; List of films considered the worst; List of films shown at Butt-Numb-A-Thon; List of films shown at the New York Film Festival
The Third Man is a 1949 film noir directed by Carol Reed, written by Graham Greene, and starring Joseph Cotten, Alida Valli, Orson Welles and Trevor Howard.Set in post-World War II Allied-occupied Vienna, the film centres on American writer Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that he has died.
"The whole point of the Valli character in that film is that she'd experienced a fatal love – and then comes along this silly American!" [13] According to the film critic Derek Malcolm, The Third Man is the "best film noir ever made out of Britain". [1] The film won the Grand Prix at the Cannes Film Festival, [6] the predecessor of the Palme ...
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