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Music genre. A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. [1] Genre is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. [2]
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [ 1 ] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") [10] is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. [1][11] It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic ...
Camp is an aesthetic style and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, [1][2][3] especially when there is also a playful or ironic element. [4][5] Camp is historically associated with LGBTQ+ culture and especially gay men. [2][6][7][8] Camp aesthetics ...
Musicology (from Greek μουσική mousikē 'music' and -λογια -logia, 'domain of study') is the scholarly study of music. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science. Musicology is traditionally divided into ...
Shibuya-kei (Japanese: 渋谷系, lit. "Shibuya style") is a microgenre [7] of pop music [1] or a general aesthetic [8] that flourished in Japan in the mid-to-late 1990s. [3] The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. [9]
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
An often-cited definition of music is that it is "organized sound", a term originally coined by modernist composer Edgard Varèse [15] in reference to his own musical aesthetic. Varèse's concept of music as "organized sound" fits into his vision of "sound as living matter" and of "musical space as open rather than bounded". [16]