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The Argentine Candombe is a vocal-instrumental practice, all the same to be played sitting or street parade. There is a large repertoire of songs in African languages archaic, in Spanish or in a combination of both. They are usually structured in the form of dialogue and are interpreted solo, responsorial, antiphonal or in group.
Pajubá (Portuguese pronunciation:), or Bajubá, is a Brazilian cryptolect which inserts numerous words and expressions from West African languages into the Portuguese language. It is spoken by practitioners of Afro-Brazilian religions, such as Candomblé and Umbanda, and by the Brazilian LGBT community. [1]
Normally, pronunciation is given only for the subject of the article in its lead section. For non-English words and names, use the pronunciation key for the appropriate language. If a common English rendering of the non-English name exists (Venice, Nikita Khrushchev), its pronunciation, if necessary, should be indicated before the non-English one.
Eleguá (Legba) is known in the Dominican Republic, Haiti, Colombia, Cuba, Puerto Rico, and Mexico as the orisha and "owner" of caminos, or roads and paths.Elegua is also known as a “trickster” and is portrayed as both being very young and mischievous as well as very old and wise, encompassing the varying paths and phases of fate and life.
Macumba (Portuguese pronunciation: [maˈkũᵐbɐ]) is a generic term for various Afro-Brazilian religions, the practitioners of which are then called macumbeiros. These terms are generally regarded as having negative connotations, comparable to an English term like "black magic".
Many students in Spanish I and II classes learn this song to help with their vocabulary and grammar. In Spanish I, the counting part of the song may help. In the case of the words veía, araña, and resistía, the tildes (accent marks) help the students with their accents and how to pronounce the words when they are present.
Malagueña" (Spanish pronunciation: [malaˈɣeɲa], from Málaga) is a song by Cuban composer Ernesto Lecuona. It was originally the sixth movement of Lecuona's Suite Andalucía (1933), to which he added lyrics in Spanish.
Pombajira (from Kimbundu: pambu ia njila, lit. ' crossroads ' [1]) is the name of an Afro-Brazilian spirit evoked by practitioners of Umbanda and Quimbanda in Brazil. [2] [3] She is the consort of Exu, who is the messenger of the Orixas in Candomblé.
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