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Sonata No. 1 for solo violin (1941) Sonata No. 2 for solo violin (1958) Four Caprices for Violin Solo; Polish Caprice (1949) Johann Sebastian Bach. 3 Sonatas and 3 Partitas, for solo violin: Sonata No. 1 in G minor, BWV 1001; Partita No. 1 in B minor, BWV 1002; Sonata No. 2 in A minor, BWV 1003; Partita No. 2 in D minor, BWV 1004
Epicycles, for solo cello, flute, oboe, clarinet, horn, trumpet, trombone, tuba, 2 violins, viola and double bass (1989) Oophaa, for harpsichord and percussion (1989) Mnamas xapin Witoldowi Lutoslavskiemu, for 2 horns and 2 trumpets (1994) Kaï, for flute, clarinet, bassoon, trumpet, trombone, violin, viola, cello and double bass (1995)
The Four Seasons, for Violin solo and string orchestra (pub. 2008) Rhapsody Concertante (on Hungarian and Rumanian themes) for Violin solo and string orchestra (pub. 2008) Poema de amor, for Violin solo and string orchestra (pub.2007) André Jolivet. Violin Concerto (1972)
Concerto No. 2 in D major for 2 violins and orchestra, H. 329; Karl Marx: Concerto for 2 violins and orchestra; Wolfgang Amadeus Mozart: Concertone in C major for 2 violins and orchestra, K. 190; Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra; Arvo Pärt: Tabula Rasa for 2 violins, prepared piano and string orchestra
His grandfather, a doctor, liked to play the violin and as a boy Loris enjoyed listening to professional string-players (Russian, Armenian or Polish immigrants) in local cafés. Although not themselves musical, his parents wanted all three children (one boy, two girls) to play musical instruments. Eight-year-old Loris was given a violin.
Polonaise for Guitar, Flute or Violin Variations on Nel cor più non mi sento from Paisiello's La molinara [ 21 ] (for Violin and Orchestra) Introduction et variations brillantes, "Air tyrolien" [ 21 ] (for Violin and Orchestra)
This is a list of songs about bicycles or cycling. Bicycles became popular in the 19th century as the new designs of safety bicycle were practical for the general population, including women. By the end of that century, cycling was a fashion or fad which was reflected in the popular songs of the day.
List of adaptations by Ferruccio Busoni#Transcriptions (BV B 20 to 115) Bach-Busoni Editions; Charles Gounod's Ave Maria is based on Prelude No. 1 of Book I of The Well-Tempered Clavier. Francisco Tárrega transcribed a variety of Bach works, including his Fugue from Violin Sonata No. 1, BWV 1001