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Out of the danzón-mambo came both the mambo and the cha-cha-chá. The mambo would subsequently become a genre played mainly by American-style big bands, and as such, did not pose a threat to the danzón-mambo. But, in the face of the sudden overwhelming popularity of the cha-cha-chá in the 1950s, the danzón-mambo began to disappear.
Arcaño y sus Maravillas was a Cuban charanga founded in 1937 by flautist Antonio Arcaño.Until its dissolution in 1958, it was one of the most popular and prolific danzón orchestras in Cuba, particularly due to the development of the danzón-mambo by its two main composers and musicians: Orestes López (piano, cello, bass) and his brother Israel López "Cachao" (bass). [1]
Danzón is the official musical genre and dance of Cuba. [1] It is also an active musical form in Mexico and Puerto Rico.Written in 2 4 time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble.
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado.It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano (also known as montunos).
Contradanza itself spawned a series of ballroom dances between the 19th and 20th centuries, including the danzón, mambo and cha-cha-cha. Rural dances of European origin, such as the zapateo and styles associated with punto guajiro also became established by the 19th century, and in the 20th century son became very popular.
Mambo dancers at the ITESM Campus Ciudad de Mexico. Mambo is a Latin dance of Cuba which was developed in the 1940s when the music genre of the same name became popular throughout Latin America. The original ballroom dance which emerged in Cuba and Mexico was related to the danzón, albeit faster and less rigid.
According to Odilio Urfé, cha-cha-chá was a musical genre that was based on the rhythm of danzón-mambo but with a different structural conception. It utilized elements of chotis madrileño and a monodic vocal style. After "La Engañadora", Urfé's original structure was greatly modified by Jorrín and other composers.
The mambo as understood in the United States and Europe was considerably different from the danzón-mambo of Orestes "Cachao" Lopez, which was a danzón with extra syncopation in its final part. The mambo—which became internationally famous—was a big-band product, the work of Perez Prado , who made some sensational recordings for RCA in ...