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Several Italian designs were released as wood type from 1837 onwards. [7] Several digitisations of the Italian style have been made. Peter Biľak's Karloff is a family of normal and matching reverse-contrast fonts with upper- and lower-case, together with a low-contrast slab serif design, all with the same basic structure. Biľak and his ...
Versions of Gill Sans were created in a wide range of styles such as condensed and shadowed weights. [18] [65] Several shadowed designs were released, including a capitals-only regular shadowed design and a light-shadowed version with deep relief shadows. In the metal type era, a 'cameo ruled' design that placed white letters in boxes or ...
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
A design patent is the strongest system of protection, but the most uncommon. It is the only US legal precedent that protects the actual design (the design of the individual shapes of the letters) of the font. [19] The Lucida font family was one group that was formerly protected by design patent. [19]
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.
This required careful design and casting for the sorts to fit together without gaps or the sorts breaking, or leaving gaps to be filled in by the natural spread of ink on paper. [4] [5] Script typefaces have evolved rapidly in the second half of the 20th century due to developments in technology and the end of widespread use of metal type.
A modern sans-serif and four blackletter typefaces (left to right): Textur(a), Rotunda, Schwabacher and Fraktur.. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand.
The Bauer Bodoni typeface, with samples of the three of the fonts in the family: Roman (or regular), bold, and italic.. In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design.