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The 2nd person active may have no ending (class 5, class 8), -dhi (most of class 3,7, as well as class 1 ending in consonants), or -hi (class 9, class 3 in ā, and class 1 in vowels; these classes usually ended in laryngeals in Proto-Indo-European).
Sanmatitarka ('The Logic of the True Doctrine') is the first major Jain work on logic written in Sanskrit. [4] [5] Among the most popular of his works, the Kalyan Mandir Stotra is a Sanskrit hymn dedicated to the 23rd Tirthankara Parshvanatha. It is one of the 9 holiest recitations (Nav Smaran) in the Śvetāmbara Murtipujak sect of Jainism.
This framework came in 1975. [8] It emphasized that a curriculum based on the principles laid out in the framework has to be developed on the basis of research. Thus for NCERT, the 1970s was a decade flushed with curriculum research and development activities to narrate the content and process of education to Indian realities.
[8] [9] Provisions for schwa deletion in Indo-Aryan languages were also made where applicable, e.g. the Hindi कानपुर is transliterated as kānpur (and not kānapura) but the Sanskrit क्रम is transliterated as krama (and not kram). The system has undergone some evolution over time.
A subhashita (Sanskrit: सुभाषित, subhāṣita) is a literary genre of Sanskrit epigrammatic poems and their message is an aphorism, maxim, advice, fact, truth, lesson or riddle. [1] Su in Sanskrit means good; bhashita means spoken; which together literally means well spoken or eloquent saying.
Nagananda (Joy of the Serpents) is a Sanskrit play attributed to emperor Harsha (ruled 606 C.E. - 648 C.E.).. Nagananda is among the most acclaimed Sanskrit dramas. Through five acts, it tells the popular story of a prince of divine magicians (vidyādharas) called Jimútaváhana, and his self-sacrifice to save the Nagas.
[8] [9] [10] While most Sanskrit texts were composed in ancient India, others were composed in Central Asia, East Asia or Southeast Asia. Sanskrit literature is vast and includes Hindu texts, religious scripture, various forms of poetry (such as epic and lyric), drama and narrative prose. It also includes substantial works covering secular and ...
Svapnavasavadattam is a sequel to the Bhāsa's another play Pratijnayaugandharayana (The Pledge of Minister Yaugandharayana) which describes in four acts the events culminating in the marriage of Udayana and Vasavadatta which was brought about by the efforts of Yaugandharayana, Udayana's minister.