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The word was used in the title of a brief alchemical work, the Chrysopoeia of Cleopatra attributed to Cleopatra the Alchemist, which was probably written in the first centuries of the Christian era, but which is first found on a single leaf in a tenth-to-eleventh century manuscript in the Biblioteca Marciana, Venice, MS Marciana gr. Z. 299. [2]
Cleopatra the Alchemist (Greek: Κλεοπάτρα; fl. c. 3rd century AD) was a Greek alchemist, writer, and philosopher. She experimented with practical alchemy but is also credited as one of the four female alchemists who could produce the philosopher's stone .
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The chrysopoeia ouroboros of Cleopatra the Alchemist is one of the oldest images of the ouroboros to be linked with the legendary opus of the alchemists, the philosopher's stone. [citation needed] A 15th-century alchemical manuscript, The Aurora Consurgens, features the ouroboros, where it is used among symbols of the sun, moon, and mercury. [17]
Cleopatra and Cleomestra probably refer to the same individual. Cleopatra, daughter of Boreas (North wind) and the Athenian princess, Oreithyia . She was the first wife of Phineus by whom he had a pair of sons, named either Plexippus and Pandion , [ 5 ] or Gerymbas and Aspondus , [ 6 ] or Polydector ( Polydectus ) and Polydorus , [ 7 ] or ...
The book also delves into Cleopatra's education, her role as a mother, and her cultural and religious beliefs. [2] [3] Throughout the book, Schiff challenges the common misconceptions about Cleopatra as a seductress and manipulator, instead portraying her as a politically astute leader who was deeply invested in the welfare of her people.
Mary or Maria the Jewess (Latin: Maria Hebraea), also known as Mary the Prophetess (Latin: Maria Prophetissa) or Maria the Copt (Arabic: مارية القبطية, romanized: Māriyya al-Qibṭiyya), [1] was an early alchemist known from the works of Zosimos of Panopolis (fl. c. 300) and other authors in the Greek alchemical tradition. [2]
Marissa Moss in NYJB wrote that "most effective part of the book is when Prose steps outside of history entirely and casts a critical eye on how books and movies made Cleopatra into a villain." [ 6 ] Arienne King of World History Encyclopedia praised the book's analysis of Cleopatra's literary portrayals, but criticized it for not examining ...