Search results
Results from the WOW.Com Content Network
The international cast stars George Peppard, George Hamilton, Horst Buchholz, Anny Duperey, Jean-Pierre Cassel, Ray Lovelock, Sam Wanamaker, and Capucine. [3] The screenplay by frequent Lenzi collaborators Gianfranco Clerici and José Luis Martínez Mollá is based on a story co-authored by the director. The film was a co-production between ...
Le gendarme en balade: Jean Girault: Louis de Funès, Claude Gensac, Michel Galabru: Comedy: French/Italian co-production [15] La peau de Torpédo: Jean Delannoy: Stéphane Audran, Klaus Kinski, Lilli Palmer: Crime: French/Italian/West German co-production [16] Last Leap: Édouard Luntz: Maurice Ronet, Michel Bouquet: Crime: French/Italian co ...
The film score was composed, arranged and conducted by Oliver Nelson, and the soundtrack album was released on the MGM label. [4] AllMusic's Jason Ankeney noted that Nelson did "a particularly strong job of evoking the grittiness of their urban setting" and said that "Recalling vintage jazz in both its atmosphere and vigor, the music navigates though [] a series of mood and tempo shifts with ...
Le Voyage en douce: Michel Deville: Dominique Sanda, Geraldine Chaplin, Frédéric Andréi: Comedy-drama [20] Loulou: Maurice Pialat: Isabelle Huppert, Gérard Depardieu, Guy Marchand: Drama, romance [21] Mon oncle d'Amérique: Alain Resnais: Gérard Depardieu, Nicole Garcia, Roger-Pierre: Comedy-drama [22] Night Games: Roger Vadim: Cindy ...
The film was the second of two films starring the duo of Astaire and Hayworth, [4] following the box-office success of the previous year’s You'll Never Get Rich. The new film avoided the wartime themes of the previous film, while benefiting from lavish production values – a consequence of the box-office success of the earlier film.
The Widow Couderc (French: La veuve Couderc) is a 1971 French drama film based on the 1942 novel of the same name by Georges Simenon. Plot. In 1934, ...
Méliès himself plays the magician in the film, which takes advantage of his sense of rhythm, his tendency for elegant gestural movements, and his talent for mime. [3] The Four Troublesome Heads features one of the first known uses of multiple exposure of objects on a black background on film, a special effect Méliès went on to use prolifically.
The Man from Cairo is a 1953 British/Italian/American international coproduction film noir starring George Raft.Released in Italy as Italian: Dramma nella Kasbah/Avventura ad Algeri, it also went under the alternative English titles Cairo Incident, Adventure in Algiers and Secrets of the Casbah.