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The following three subsections consider the binding domains that are relevant for the distribution of pronouns and nouns in English. The discussion follows the outline provided by the traditional binding theory (see below), which divides nominals into three basic categories: reflexive and reciprocal pronouns, personal pronouns, and nouns (common and proper).
Affixes are bound by definition. [5] English language affixes are almost exclusively prefixes or suffixes: pre-in "precaution" and -ment in "shipment". Affixes may be inflectional, indicating how a certain word relates to other words in a larger phrase, or derivational, changing either the part of speech or the actual meaning of a word.
Simile: comparison between two things using like or as. Snowclone: alteration of cliché or phrasal template. Syllepsis: the use of a word in its figurative and literal sense at the same time or a single word used in relation to two other parts of a sentence although the word grammatically or logically applies to only one.
Principle A: an anaphor (reflexive or reciprocal, such as "each other") must be bound in its governing category (roughly, the clause). Since "himself" is not c-commanded by "John" in sentence [3], Principle A is violated. Principle B: a pronoun must be free (i.e., not bound) within its governing category (roughly, the clause).
The Oxford Dictionary of Literary Terms offers a much broader definition for zeugma by defining it as any case of parallelism and ellipsis working together so that a single word governs two or more parts of a sentence. [17] Vicit pudorem libido timorem audacia rationem amentia. (Cicero, Pro Cluentio, VI.15)
Constrained writing is a literary technique in which the writer is bound by some condition that forbids certain things or imposes a pattern. [ 1 ] Constraints are very common in poetry , which often requires the writer to use a particular verse form.
However, the relative clause in (7a) looks more like an indirect question, complete with the interrogative complementizer, kung 'if', and a pre-verbally positioned WH-word like saan 'where', as in (7b). The sentence in (7c) is the declarative version of the relative clause in (7a), illustrating where the head, ospital 'hospital', would have ...
Polysyndeton (from Ancient Greek πολύ poly "many" and συνδετόν syndeton "bound together with") [1] is the deliberate insertion of conjunctions into a sentence for the purpose of "slow[ing] up the rhythm of the prose" so as to produce "an impressively solemn note."