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The Friendly Beasts. "The Friendly Beasts" is a traditional Christmas song about the gifts that a donkey, cow, sheep, camel, and dove give to Jesus at the Nativity. The song seems to have originated in 12th-century France, set to the melody of the Latin song "Orientis Partibus". [1]
Angels We Have Heard on High. " Angels We Have Heard on High " is a Christmas carol to the hymn tune "Gloria" from a traditional French song of unknown origin called " Les Anges dans nos campagnes ", with paraphrased English lyrics by James Chadwick. The song's subject is the birth of Jesus Christ as narrated in the Gospel of Luke, specifically ...
Anonymous broadside, Angus, Newcastle, 1774–1825. "The Twelve Days of Christmas" is a cumulative song, meaning that each verse is built on top of the previous verses. There are twelve verses, each describing a gift given by "my true love" on one of the twelve days of Christmas. There are many variations in the lyrics.
Christmas As I Knew It; The Christmas Guest; The Christmas Spirit; Christmas Time's A Comin' Christmas With You (I'm Just An Old) Chunk Of Coal (But I'll Be A Diamond Someday) Church In The Wildwood; Church Of The Holy Sepulchre; Cindy; Cindy, I Love You; Cisco Clifton's Fillin' Station; City Jail; City Of New Orleans; Class Of '55; Clean Your ...
As a result, many Christmas Carols can be related to St Stephen's Day (26 December), St John's Day (27 December), Feast of Holy Innocents (28 December), St Sylvester's Day (31 December), and the Epiphany. Examples of this are " We Three Kings " (an Epiphany song), and " Good King Wenceslas " (a carol for St. Stephen's Day).
The Little Drummer Boy. " The Little Drummer Boy " (originally known as " Carol of the Drum ") is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941. [1] First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version ...
The lyrics of the song are, in many places, exceedingly obscure, and present an unusual mixture of Christian catechesis, astronomical mnemonics, and what may be pagan cosmology. The musicologist Cecil Sharp , influential in the folklore revival in England, noted in his 1916 One Hundred English Folksongs that the words are "so corrupt, indeed ...
In common with many traditional songs and carols, the lyrics vary across books. The versions compared below are taken from The New English Hymnal (1986) (which is the version used in Henry Ramsden Bramley and John Stainer's Carols, New and Old), [1] [13] Ralph Dunstan's gallery version in the Cornish Songbook (1929) [14] and Reverend Charles Lewis Hutchins's version in Carols Old and Carols ...