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The Investiture of the Gods, also known by its Chinese names Fengshen Yanyi (Chinese: 封神演義; pinyin: Fēngshén Yǎnyì; Wade–Giles: Fêng 1-shên 2 Yan 3-yi 4; Jyutping: Fung 1 San 4 Jin 2 Ji 6) and Fengshen Bang (封神榜), [note 1] is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (shenmo) genre written during the Ming dynasty ...
Illustrations of Fengshen Yanyi from an edition of the novel featuring commentary by Zhong Xing (1574-1625) (book one). The Investiture of the Gods, also known as Fengshen Yanyi (Chinese: 封神演義; pinyin: Fēngshén Yǎnyì), is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (shenmo) genre written during the Ming dynasty (1368–1644).
This list also reflects the intensification of god-making (zao shen, 造神) during the Yuan-Ming period. [8] Legend has it that the ruins of the Platform of Gods (fengshentai, 封神台), where Jiang Ziya appointed the gods, are located near Shandi Village in Huangdui Township, Fufeng County, Baoji City, Shaanxi Province.
The list was compiled by a team of critics and editors at The New York Times and, with the input of 503 writers and academics, assessed the books based on their impact, originality, and lasting influence. The selection includes novels, memoirs, history books, and other nonfiction works from various genres, representing well-known and emerging ...
An original copy of Investiture of the Gods is held in the Japanese Library of the Grand Secretariat, printed by Shu Zaiyang. The second section of the book is inscribed with the words "edited by Xu Zhonglin, the Old Recluse of Mount Zhong ."
The New York Times Book Review (NYTBR) is a weekly paper-magazine supplement to the Sunday edition of The New York Times in which current non-fiction and fiction books are reviewed. It is one of the most influential and widely read book review publications in the industry. [ 2 ]
Set in a fictional ancient China, during the Yin dynasty, the fantastic world of Hoshin Engi encompass both the pre-historical world—in which primitive human society coexist with the revered divine gods and goddesses—and the futuristic world—in which highly technological weaponry, combat strategy, as well as futuristic visions, are employed.
The General of East Sea is one of the gods who manage the East China Sea. [ 5 ] [ 6 ] In classical Chinese artwork, Shen Gongbao is frequently depicted as a deity riding a white-foreheaded tiger (白額虎), holding a treasure sword (寶劍) in one hand and a celestial pearl (開天珠) in the other, both possessing the ability to subdue demons.